Interior Design Questions

Interior Design Questions
The unit of art and technology in Moholy-Nagy’s acrylic sculptures
The Mohogoly-Nagy’s initial abstract paintings had shapes that geometrically opaque. The shapes, themselves were reminiscent of paintings of Kazimir Malevich Suprematist. On the other hand, Composition A19 reveals of developing above reach of that style that fits within the interests and forms of transparency. His earlier paintings had enlarged and doubled cross motif. On the same note, there were red and black crossbeams that had an overlap with each other though with varying degrees of translucency.

Figure 1: Moholy-Nagy, acrylic sculptures, 1945
The reason for Fuller’s Dymaxion car, 1933 and alternative design for it
Fuller had great ambitions for the Dymaxion that consisted planning to add jet style flight in cases where engines and suitable alloys. However, like a car of the future was not must abandon the ground and cause astonishment but it represented a great step in automotive engineering. According to those who saw the car despite being invented in the 1930s, was indeed a representation of the tomorrow’s the car. At a later date, an option that came into being for the Dymaxion was the Chrysler. The inventors of the Chrysler had a belief that it could overtake the Dymaxion’s market plus also outwit the model of vehicles already in the market.

Figure 2: R. Buckminster Fuller, Dymaxion Car, 1933
Analysis of Raymond’s interior design of NASA Skylab 1967-73 regarding the Maya Stage
NASA made consultations with Loewy in the late sixties and early seventies.

The objective of the consultations was to come up with manned spacecraft such as Skylab Workshop that would enhance a lot of comfort to the astronauts. Below is a representation of the concept of the artificial G shuttle. The compatibility with space station interior was designed by Loewy. Loewy designed the component with a hope of it working with Marshall Space Flight Center of NASA at Ala.

Figure 3: A Skylab interior mockup by Raymond Loewy for NASA. 1967-73
Analysis of Saarinen’s Trans World Airline’s Terminal, New York City, 1962 regarding clean design and use of materials
In a bid to grasp the flight concept, Saarinen made use of curves to create spaces that were capable of flowing on each other. The roofs exterior depicts of a bird flying with two massive wings. In its interior, it has continuity of ribbon elements all that which whisker themselves inwards from the exterior. In this case, it enables the ceilings to be in a continuous run within the walls and those walls that at last end becoming floors. All its curves, spaces, and elements, display boards, check in desks and railings depicts of a matching nature.
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Figure 4: Eero Saarinen, Trans World Airlines Terminal, 1962, New York City
As seen from figure 4 above, the structure is made of a shell reinforced concrete and four segments that have their extension outward from a central point. The wings that are made of concrete then unfold on either exterior’s side in preparation for flight. Internally, the structure has reinforcement with a web of steel. Meanwhile, the large panels of glass that are beneath the concrete also have support with steel and at the same time also have a temporary purple-tint. The walls made of glass that is tilted at an angle towards the exterior as they approach the ceiling creates an impression to the viewers imagine as if the plane is downwards on earth. Also, the windows enable the viewers to be at a position of seeing those incoming and outgoing jets.
Reason for the sale of Vernon Paton’s Stacking Chair and Joe Colombo 4801 arm chair sold at Terence Conran’s Habitat
First, the designs were classic and exquisite kind of chairs that could only be bought in the chicest shops. Secondly, these chairs were indeed exclusive when compared to the office outfitters. The chairs were matching the Conran’s latest fashion of the high street furniture of. Another reason is that collection was matching the range of the furniture for the plan designed by Christie Tyler. Finally, the furniture was very inspirational during the era of Cortina and such had to be purchased by the Terence Conran’s Habitat

Figure 5a: Verner Panton, Stacking Chair, 1960.

Figure 5b: Joe Colombo, 4801 Armchair, 1965
Why the human factors movement included both Ralph Nader and Niel’s Diffrient Human Scale
The design by Diffrient and Nader paid attention on human factors by ensuring an in-depth understanding of how to lead their lives work and also show interaction in their environments. Both produced a publication going by the name “Humanscale,” where he discusses on human factors and principles of design. In this publication, they argued that human factors or ergonomics are thick, dense and jargon-filled. For this reason, the authors might have failed to make an application of the subject’s objectives during their work. Both Nader and Diffrient were mostly in love with those designs that simple and also required fewer efforts. In this regard, the two partners were able to come with those products that were sustainable since they made use of few materials and parts.

Figure 6a: Ralph Nader Unsafe at Any Speed, 1965

Figure 6b: Niels Diffrient, Humanscale
In all the times, both Diffrient and Nader made considerations on the possible impacts that could be created by their products on the environment. Both of them insisted on the sustainability as being the key to efficiency. For instance, a particular design that utilizes less material and energy was more appropriate. The same design should also allow for recycling for the purpose of enhancing environmental conservation. Since the work of these two people is so evident up present times, their legacy will forever live based on their designs.
Whether skateboard is a product of design movement
Yes. Skateboards have passed through drastic changes from the period of the 1900s. During this time, kids used roller skates wheels by nailing them on a two by four. The early wheels that were mostly steel indeed provided a rough ride. Around the period of the 1950s, the very first commercial skateboards surface despite most boards being homemade. When it reached the 1960s, there was the advancement in the roller skate design that culminated in the appearance of clay wheels. In this regard, it justifies the notion that indeed skateboards were part of the design movement.

Figure 7: Skateboard as a product of design
Whether skateboard an example of alternative design movement
Yes. A skateboard refers to a small piece of wood with a shape similar to the surfboard. It has four wheels that are in attachment with it. A person is capable of riding the skateboard through the guidance of feet’s movement. Despite the fact some people make use of skateboard for transportation in short distances, their main use is the performance of stunts. Since various skateboards have various designs on the use of the skateboard, the instance here gives a confirmation that skateboard is alternatives in the design movement.

Figure 8: Manufacturing process of skateboard
Whether Designs who developed skateboard responded to popular appeal
Yes. The assembly of some low-end skateboards is done by the manufacturers. However, the sale of most components always occurs independently to consumers who use them for their benefit. The assembly of a skateboard always factors in the ball bearings and grip tape piece needed by the consumer. Grip tape is bigger in size when compared to the deck, and its appearance is similar to that of sandpaper. The reason for putting it on the deck’s top is to enhance traction and as a results responding to the popular appeal.

Figure 9: The uniqueness of the signature of elements in skateboard creates as sense of place
Whether skateboards communicate, identify and enhance stylishness
Many manufacturers often design their boards by use of their signature styling. Also, these manufacturers at times use templates with the intention of imposing their design on the board’s shape. For companies that manufacture skateboards, they at the same make their products stand out through applying their individual at designs. Though most of this artwork is a creation of the computer, there are also others done by hand. In this manner, it the skateboard can communicate, identify and enhance its stylishness.

Figure 10: The lines traversing through the skateboard enhances special considerations for capacity, visibility, speed, and safety.
References
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Freeman, M. (2011). The photographer’s mind (1st ed.). Burlington, MA: Focal Press.
Glancey, J. (2016). Terence Conran’s new furniture range. The Guardian. Retrieved 27 November 2016, from https://www.theguardian.com/culture/2002/dec/03/artsfeatures.shoppingGrinyer, C. (2011). New Challenges for Product Design: The Product of Design. Design Management Review, 22(4), 14-21. http://dx.doi.org/10.1111/j.1948-7169.2011.00151.xHumanscale, (2016). Humanscale and Niels Diffrient. Humanscale.com. Retrieved 27 November 2016, from http://www.humanscale.com/about/nielsdiffrient.cfmKeller, E. (2010). The mirage of space between nature and nurture (1st ed.). Durham [N.C.]: Duke University Press.
NASA, (2016). Raymond F. Loewy, Contributor to Spacecraft Design. NASA. Retrieved 27 November 2016, from https://www.nasa.gov/centers/marshall/history/gallery/loewy.html#.WDqfndJ961sPerez, A. (2010). AD Classics: TWA Terminal / Eero Saarinen. ArchDaily. Retrieved 27 November 2016, from http://www.archdaily.com/66828/ad-classics-twa-terminal-eero- Saarinen Ross, K. (2002). May ’68 and its Afterlives (1st ed.). Chicago: University of Chicago Press.
Rushton, S., Niehorster, D., & Li, L. (2015). During self-movement humans are better at judging whether an object is moving (flow parsing) than whether they will hit it (heading). Journal Of Vision, 15(12), 1014. http://dx.doi.org/10.1167/15.12.1014The Art Story, (2016). Laszlo Moholy-Nagy Biography, Art, and Analysis of Works. The Art Story. Retrieved 27 November 2016, from http://www.theartstory.org/artist-moholy-nagy-laszlo.htmThe Buckminster Fuller Institute, (2016). Dymaxion Car |. Bfi.org. Retrieved 27 November 2016, from https://www.bfi.org/about-fuller/big-ideas/dymaxion-world/dymaxion-car