Literary elements of Fahrenheit 451

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Literary elements of Fahrenheit 451
Introduction
Literary elements of Fahrenheit 451continues to be an entertaining science literature story that offers the unique sight on the restriction of the novel. Fahrenheit 451 refers to the innovative novel that tells the narrative of the period where books, as well as sovereign thoughts, remain to be forbidden. Literary elements of Fahrenheit 451 show how it is the time to enlighten where an individual who is in need of bettering themselves by thinking are killed and outlawed. The literary critic in the context has experiential that despite the detail that Bradbury is identifiable to be the scientific novel writing. Ray Bradbury ideas are more concern not with gadgets but with feelings of men (Filler 531). The books and ideas show to be destructible as the books are also incinerated, as the ideas presented in them become a danger to the community and is not tolerated. Fahrenheit 451 presented by Bradbury uses literary devices. The literary devices include symbolism, imagery, allegory, irony, realism, settings, and theme in which the device shows the belief of a male. The novel helps in recalling effects of Nazi along with their destruction of text and literature in the new age and day. The use of symbolism remains to be the key element to understanding the ideas presented in the novel and its views of anti-censorship together with general unawareness.
The title part of the book “The Hearth and the Salamander” is an instance of symbolism.

Novel’s title suggests that there are two ideas related to fire, hearth, center of feeling, along with heat. The salamander shows the essential nature of Guy Montag. Occupation of Guy Montag as the firefighter is to blaze books together with text to remove their being and the influence on thinking. However, a sign of the Phoenix is applicable during the narrative. According to Lee (143), Phoenix remains as the mythical bird of ancient Arabian legend. Besides, Phoenix signifies the regeneration after the damage by fire. Firefighters dress in the summit of the Phoenix in their dresses as they perform their duties. Guy Montag can open his eyes and able to see the fire and damage have damaged his recently gained deals after realizing the fact of his duties. Guy Montag goes ahead and wishes that his recently acquired deal destroyed by the fire could be reborn once more.
With the ideas of knowledge of Guy Montag as presented in the context makes them go to Faber as he aims to keep books although he hides novels in private place. Guy Montag goes as distant by thieving some novels from houses that he is hypothetical to be damaging. Therefore, the Phoenix is regenerated only to be scalable once again by being destroyed. The operation of Phoenix is like the life cycle of Guy Montag being consumable and regenerated until one point the way Guy Montag goes missing and where Guy Montag kills Captain Beatty. The symbolism is presentable by igniting Guy Montag using the liquid bonfire. Bonfire is also a different case of symbolism that remains applicable in context. Bonfire has the binary representation in the novel as previous image leading to damage and the sign of warmness. In the case of Guy Montag, fire remains to be good to serve the purpose of being the firefighter (Emrah 407). Therefore, the presentation of the fire in the book continues to be alone of mere belongings known to Guy Montag. Fire is also the mere thing known to Guy Montag, as a result is to blaze the crisis.
The conclusion of the story in the context shows how Guy Montag and Captain Beatty got into the confrontation. The encounter results since Captain Beatty was aware that Guy Montag was breaching the regulation by analyzing different novels. Captain Beatty prepared the firefighters to blaze down Guy Montag’s home, and shortly he becomes the escapee after murdering Captain Beatty. The setting of the firehouse affects the behavior of Guy Montag by making him feel confuse about being in the profession of the firefighter due to the previous incident that occurred with the woman and her books. The setting creates a very creepy futuristic dark and gloomy mood (Lee 144). Fahrenheit 451 form a very suspenseful, passionate, and the excellent book to read. The reading of the context leaves an individual with the impression concerning science fiction and it is interesting in reading more of books published by Ray Bradbury.
Theme
The book presents the total indistinct civilization wherever all contents remain banned. Ray Bradbury’s literary elements of Fahrenheit 451 are entertaining science narrative thriller that issues the unique sight on the restriction of books. The book shows that the punishment for being fixed with a narrative that remains damaged by fire and in some cases, the sentence leads to the demise of individuals. Ray Bradbury in his work led his readers through the little time in the life of the character. Literary elements of Fahrenheit 451 have an interesting theme along with the plot and a story line well placed to look at the issue affecting the society. The book uses a theme that combines memorable explanation and well reflection on typescript that put the gripping story together that keeps the concentration of readers. Controversial topic creates a dystopia in a single location. The context of literary elements of Fahrenheit 451uses example of proper writing techniques that presents it like a good novel (Feneja 76). The author does a good job by using a description. The author can describe different things correctly using outstanding similes together with personifications. For instance, the author mentions the hose of fire by calling it the enormous python that spits its toxic kerosene leading the globe. The idea of using such themes of description enables the readers not only picture the pipe but also obtain a sense for the humor concerning firefighters at the time. Besides, the article uses a fine account on to offer a description by the corporal look of firefighters. Another theme shows the proper description on describing the physical appearance of the firefighters (Booth 164). Criticism of society in Ray Bradbury’s literary elements of Fahrenheit 451within the principal motives of the novel that shows incorporated criticism of society.
Ray Bradbury presents the theme of self-knowledge in his story using watery imagery. The issue of distractions also is presentable in the context of the use of mirror imagery. The knowledge presented concerning death places the issue to form the part of the life. The experience on death cases allows an individual to learn how to make the best of what they are and who they are by having acceptance of evil and good in the world. The knowledge also presents individuals battle detains wickedness through the discoveries offering people the broader imminent into themselves. The theme of censorship in Fahrenheit 451does does not provide the single clarification of why books are barred in the future (Thygesen 444). The book shows that various ideas could join to generate the outcome of censorship. The idea of editing leads to lack of notice in reading making people actively hostile towards books. The factors that make people hostile towards reading books involve envy.
Use of imagery in the context
The idea of death is threaded throughout writings of the book. Death remains to be a Bradbury’s deep attention in the themes of dishonesty, discontent with the personality the reality of evil and of ideas of how to complete with death, as well as the attainment of self-knowledge. The concepts of the death are embodied in images of traditional values, ravine imagery, carnival imagery, watery descriptions, the fire along with sun imagery, and the hostility of dark and light, evil along with the good. The Literary elements of Fahrenheit 451concept of media consumption habits reflect Bradbury’s critical opinion concerning the role of television in the community. In particular, psychological and physical aspects of death and dying among people in the society are examinable using ravine imagery (Filler 539). The ravine in the context is applicable in showing ideas like life, several of the possessions existing in the globe that keep on changing. Ray Bradbury in his work believed that if people face and understand ultimate deaths, then they could be able to appreciate themselves and the life to the fuller level. The author says it is essential for an individual to convene, understand, and gulp death as the author. It is required for an individual to exercise the idea of death from the intuitive so that they will not think about death every moment.
Ray Bradbury as the author uses imagery that associates with masks. Masks in the context associate with deceit, games, and deception. The idea of putting mask enables one to be mimic, although if individuals put on the cover, they permit themselves to disguise their feelings. In Ray Bradbury’s work, the use of imagery of mask remains to be striking but a risky component (Emrah 411). Besides, the imagery of mirror utilized the story presented by Fahrenheit 451frequently shows the theme of displeasure among individuals. In some cases, Ray Bradbury utilizes the use of reflecting imagery as the symbol of reality while depicting their attraction with ideas of mirrors on the views of the reader. The mentioning of the mirror imagery in the context remains incomplete without looking on the antithesis of realism that includes dreams the mirror imagery in the literary elements of Fahrenheit 451 allows people to picture themselves in the entire majesty that they hope to see themselves and how they want to be looked at by others in the society. Therefore, inherent in any analysis that involves mirror imagery continues to be a conversant view by Bradbury that shows that everyone in the society is equal and any attempt at altering their activities and relations can lead only to the formation of disaster.
Change in setting
Change of setting is the most impactful aspect of Ray Bradbury’s work in the literary elements of Fahrenheit 451. It affects the construction of novel by dividing the work into three sections that follow an alteration of Guy Montag. The change follows from the pro-establishment, citizens, dutiful, to the rebel who tend to question all of the dictates as well as norms of the society. Ray Bradbury has structured literary elements of Fahrenheit 451 into three parts that parallel the stages of transformation of Guy Montag. The change in the setting of the novel allows the reader to be excitable by the story by knowing that wellbeing of individuals is essential together with the activities performed in the society. The setting allows the author to share his ideas throughout the plot development especially by the way that looks at the reaction of characters (Bradbury 596). Change in setting support the theme of the symbol that appears throughout the novel. Symbol of fire repeated in the novel stamps out books and the freedom of thoughts that the book presents to the society.
Realism
The stories told by novels remain fictional pieces. Realism is one of the defined attributes of the form that the story depicts. Realism in the novel is conveyed in the ways where the characters in the novel interacting with one another, through their surroundings and themselves. Realism leads to be an underlying logic to the events taking place and how people react to the themes as presented in the novel (Harrison 59). The sort of realism in the story does not exclude the genres like a fantasy from providing contents of the Fahrenheit 451. However, realism in the novel content remains written in prose, but no poetic format though there may result to the line of verse that inserts for various effects.
Works Cited
Booth, Andrew. “Fahrenheit 451?: A ‘Burning Question’ On The Evidence For Book Withdrawal”. Health Information & Libraries Journal 26.2 (2012): 161-165. Web.
Bradbury, R. “Ray Bradbury’S Fahrenheit 451 And Society Of Controlled Knowledge”. The Journal of English Language and Literature 58.4 (2012): 589-609. Web.
Cantarela, Roberta and Acir Dias da Silva. “Fahrenheit 451: O Vazio Da Memória Num Mundo Sem Livros”. Uniletras 32.1 (2010): 137-153. Web.
Emrah, ATASOY. “Impediment To Knowledge And Imagination In Ray Bradbury’S Dystopian Novel, Fahrenheit 451”. Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 55.1 (2015): 399-414. Web.
Feneja, Fernanda Luísa. “Prinethean Rebellion In Ray Bradbury’s “Fahrenheit 451″: The Protagonit’s Quest”. Amaltea. Revista de mitocrítica 4.0 (2012): n. pag. Web.
Filler, James. “Ascending From The Ashes: Images Of Plato In Bradbury’S Fahrenheit 451”. Philosophy and Literature 38.2 (2014): 528-548. Web.
Harrison, Nicholas. “Readers As R�Sistants : Fahrenheit 451 , Censorship, And Identification”. Studies in French Cinema 1.1 (2001): 54-61. Web.
Lee, Sunjoo. “To Be Shocked To Life Again: Ray Bradbury’s FAHRENHEIT 451”. The Explicator 72.2 (2014): 142-145. Web.
Thygesen, B. “The Islands Of The Blest Or Fahrenheit 451. Response To Lecture By Jane Campbell”. Group Analysis 43.4 (2010): 440-449. Web.