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The Lighting Essential Part Of Dance

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The lighting essential part of dance

Introduction

Contemporary dance has developed endless forms of composition, this study will seek to rescue the processes in which the scenic lighting is a core part since the beginning of choreographic creation, for this we will work in the areas of contemporary dance, scenic lighting and designof lighting, to direct it to the creative process of the renowned lighting designer Michel Hulls. To address this research we have based on literature on contemporary dance, a contextualization of dance through time, its changes and its elements of composition.

Developing

For this we have attended titles such as Ballet History and Modern Dance, History of Contemporary Dance, a document recovered from the contemporany dance page, in the first instance to recognize the stages through which dance has passed, a base book for thiswork is to exhaust dance, in which an analysis of the work of several dance creators is carried out, invites us to contextualize the current needs that society has in front of dance, from the actors to the spectators, and with it we pass anotherbook that is an important piece, because it expands our vision as much as artists and spectators.

In this case, it is architectures of the look, which is a compilation of texts of how to see and be seen from the performing arts, as built from the look, of it we have mainly taken the article to weave in the ephemeral (Buitrago, 2009) andThe look and time (Sánchez, 2009).

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These texts helped us to locate the current time of contemporary dance to try to understand their technical, aesthetic and emotional – sensory needs. It is no less important to highlight in this contextualization several creators who marked new challenges and ways of understanding dance, and with it the form of creation and uses of technologies.

Among the texts studied are the books The dancer and dance, space, time and dance, Cunningham worked closely with artists from other areas for their creations, Jhonn Cage was the composer with whom he made more collaborations, but among his collaborators areName of plastic artists, set designer and illuminators, a teamwork was raised for their staging. In the area of composition in the performing arts and dance texts were reviewed both books, websites, magazines and thesis on different ways of approaching scenic creation.

The interest is to find in them a methodology in which the role of the lighting designer possesses the same weight as the choreographer when making the composition, no specific bibliography was found in this regard, but it is necessary to name the investigated paths, choreographer exhibitions. Creation in dance, an approach from intertextuality and composition in real time.  Documentation and dramaturgy, a compass to develop the staging through action. The silent power of body experience in contemporary dance.

Several of the contributions of these creators lead us to the understanding of the needs and state of dance. It is also worth mentioning the documents close to the use of dance technology, since there is a common path, which is the use of a specific language that will dialogue with dance. Dance and technology, media. Body diversity in contemporary dance a retrospective look at the twentieth century. The use of displacements with the Flying Low contemporary dance technique within a space created with multimedia projection on three -dimensional structures.

This is to generate a dialogue between the components that will be part of the creative process of the work wind. To deepen the contents in the lighting area, the presence of Adolphe AppiaIt is the light, and this begins to have an independent narrative, you can consider the birth of lighting designer, the books we address from this author are music and staging.

The living art work is an important part is the contribution made by Eli Suns from his book La Luz in the theater, lighting manual, he is technical definitions, use of light, history of lighting, the role of the designer oflighting, a review of genres lighting, this book names much of the most recognized illuminators of the twentieth century until today. Theatrical lighting design is a book that contributes to understand the use of lighting on the scene, it is a complement to the aforementioned book by Eli Sun Sun. There are somewhat more specific research for dance techniques for dance and lighting.

conclusion

Building Robert Wilson’s theatrical scenery, the specialized dictionaries of Pavis and Ubersfeld, are the support to clarify specific concepts and terminology of the performing arts. On the lighting designer Michael Hulls no bibliography was found, but there is information on the network, on his professional page Michael Hulls Lighting Designer, in the choreographers and groups with which he works as Rusell Maliphant Company, Akran Khan Company, in addition toInterviews that reveal the way of working that performs together with the Lighting Designer Michael Hulls choreographers for The Art Desk, there are also video interviews, photographs and record that account for their work. 

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