The Work Hundred Years Of Soledad

THE WORK HUNDRED YEARS OF SOLEDAD

The work one hundred years of loneliness is reflected in descriptions of the acts in all its complement and general support, the environment in which it is developed is composed of a number of actions presented by the characters belonging to the Buendía family. Also the way of life of each one is described in the work as the bad example of actions generated in it, starting with the marriage of the main characters Úrsula will an impotently struggling woman who until the day of his death is the support of the Buendía Family and José Arcadio Buendía Strong and initiative man throughout his life aims has the seven generations. "They were linked to death by a larger link than love … they were cousins ​​with each other. They had grown together… ”(Márquez, 1967) In the presentation of the love relationship starring the characters Úrsula and José Arcadio Buendía it was noted that it was considered an indecent act before the families since these were cousins ​​and the incest was an incorrect act At the time of having sexual relationship in his life as a couple, since the curse of birth was taken into account that the curse of the birth a child with a pig’s tail for a life of failure and loneliness and is something that could be born from this relationship and this caused great anguish to the parents of both. The writer gives the reader explicitly what he wants to show based on the physicist and character, as the marriage that guides the misfortune and curse of the family.

“Although his love was predictable since they saw the world, when they expressed their willingness to marry their relatives they wanted to prevent it.”(Márquez, 1967) The relatives of Úrsula and José Arcadio did not support this relationship for the consequences that could be presented, but evolved their love without support until their first son José Arcadio arrived, called as his father, he was born from a impulse that they both had since they could not resist being without having any physical contact to seal their love in the way they considered correct that a child was to generate. Within the text the author reflects magical realism, adversities, love and courage that all people must show before the problems … The first son of this family was a quiet boy was always like his working father and wanting to learn more and Create things to improve its Macondo village, the simple desire that their land progresses and that together with their father could get it in the best way since both had the same will. Another point is the early age that occurred with his adoptive sister Rebeca Montiel, a girl who arrived in Macondo, malnourished and speechless, sick, suffered from insomnia. This was a disease considered serious and after the arrival of it, most of the population of Macondo had infected; They managed to cure her but after a few years he grew up and without hesitation it was the most beautiful "had a diaphanous complexion, large and restful and magical hands that seemed made of fine thread" (Márquez, 1967) although her physical appearance detailed by Garcia showed that he was always seen as a strange being and without origin. The couple that formed between them was considered a political incest since, although they were not blood brothers, everyone considered that they belonged to the same family.

"-She is your sister. Said Pietro Crespi

– I don’t care, José Arcadio answered ..

-She is against Natura-Crespi- explained and also the law prohibits it.”(Márquez, 1967)

The words reflected in the previous appointment are those that demonstrate how the news of this relationship that Rebeca had at that time takes, but in the same way I made the decision to marry her brother. The disappointment and sadness were present in the work, the author wanted Family for disrespect (Úrsula said), they insulted their home and family, it must be emphasized that José Arcadio dies later leaving Rebeca in Viudez. The depression and loneliness of her led her to her death. 

The counter -argument melts within this part of the novel since she in the same way she had a relationship with her cousin did not accept the relationship of her two children. The second son of the Buendía Family is Aurelian Buendía, a warrior man and worker has philosophical thinking is a colonel who faces a number of civil wars where Aurelian seventeen of different women are born this happens after remedies, other actions is life Loving that he describes as repressed, knowing the only woman who amaze her, a nine -year -old girl the youngest daughter of six sisters, a velvety skin very large, although she could be her daughter, because she was a girl but he wanted her , marrying after a while. "Aureliano Buendía and Remedios Moscote married a Sunday in March" (Márquez, 1967) Remedios died a few months later pregnant with twins.

Given the law, the relationship of love with minors are considered an act of violation and in the same way an inhuman act, it would be the point of an abnormal act that would be if I had not died, a girl who raises other children, the Author wants to reflect this with a normal act that was accepted by their father and even by society, but it is a repulsive fact to seize the innocence of someone who still does not know the meaning of life, Gabriel García Márquez had As an objective that readers see this as a morbidity, not of exemplary action, I wanted to notice how bad this can be seen in a reading carrying the imagination to the repulsive that can be in reality. Amaranta is the third and last biological daughter of the Buendía, a young man with anxiety problems, little agreed physically, had a rivalry with her sister Rebeca since she was in love with Rebeca’s first fiance and I swear to kill her in order not to marry her Pietro Crespi his great love. Amaranta raises Aureliano José The son of Colonel Aureliano who, although this was not desired was accepted by the family, with whom she later has a brief romance, Amaranta related to another member the family, but this did not work. She is the only one who dies Virgen, she is an example of a woman who does not face love for fear of showing her feelings. 

The writer wanted to show Amaranta with a character who filled the story with actions that impact, but are not considered "relevant" within the novel is a woman who takes with strategy to fill the arguments of the history of others. Within the work there are six generations that represent the Buendía family, each of these entails a number of actions reflected in the incest, from relations with her father or with her brothers. This family lives overwhelmed since its inception and although with the passing of time, the great fear that prevailed among the family members was to generate a child with pig tail, since it was always the main thought of Úrsula and José Arcadio Buendía, But still they could not avoid how inevitable the desire and curse that led his family to relate to each other was. The great prophecy is not fulfilled until the end of the novel where one of the descendant of this family begets the long -awaited son wanting to show the author who, although everything seems good there will always be a evil that sooner or later appears. The Buendía family was condemned to failure from the marriage of Úrsula and José Arcadio since these were what began the life of generations for problems and incest.

Morality and values ​​represented in the work

Morality is the instinctive that represents good or evil in an act or attitude generated in a person, by the customs and way of living of human beings, is accompanied by personal values ​​and norms or in a group way. Morality can be reflected in the respect that a person has for his beliefs or culture or the other, Gabriel García Márquez reflects magical realism, showing in his work a hundred years of solitude "immoral" actions, but reflected in the consequences and results and results "A elusive reality, momentary captured by the words or an immediate reality that was more fantastic than the same imagination" (Cervantes, 2013).

A taboo act such as incest can be considered as something forbidden before people, but it can also be a hieratic act in certain people or occasions. Among the ancient and several of the Modern Age, the incest can become merely mandatory either by beliefs or customs, but before the biological reality the incest can cause sexual reproduction between people who share DNA, be a serious problem, since for serious reasons they can face a human being with genetic problems. In the work "Hundred Years of Solitude" by Gabriel García Márquez, it aims. Within the novel, Incest is not the only subject considered immoral in history, different actions can be noted as an example we can take Amaranta who accused his sister Rebeca for the love of a man, reflected on how people can consider important To another one than his own family that is the sacred, or as Aureliano fell in love with a girl, being an adult man and being able to have any woman to marry remedies that with just nine years he had to be a wife until the day of his death. 

The author aims to show in his work the way in which the different actions that he reflects how a story shows the reality of people’s thinking, as a simple act can generate the prolongation of acts that are transmitted to other people. The novel shows social, crisis, economic, loneliness, that are found in each of the characters, but they are realities that are currently reflected in the way of life of today’s society. Love is also reflected, although mostly in incest, but it is still love, it is a value that people are used to feeling, despite the different immoral aspects, emotions are also prevalent in the writing of the work. Hypocrisy is illustrated total in the characters in an immoral way exemplifying how they are betrayed each other as disappointment is presented by the different acts along with the deception based on love relationships, it should be noted that the writer always had the purpose of showing each action Connected with existing reality, considering problems that will always prevail in humanity.

conclusion

Through this research work about the work "One Hundred Years of Solitude", I could notice that immorality is always in force within each action presented by the characters, where the author perennially wanted to show magical realism in each part of the work. The incest became a controversial issue throughout the investigation since, when discovering as a stunning side of the author, the point of view about the subject and the way in which it is projected. The incest must be based on society in a complementary way, although with the beginning of life the reproduction was incestuous based on the beliefs that denote the creation of a divine being since we are the gene of the same being. 

On the other hand, the consequences that are presented are very serious that lead to society to contract problems, such as reflected in the work that, although with the first actions no effect were suffered with the passing of the efforts presented, death was inevitable. We will point out that the characters presented in the work present great actions with a lack of morals since the customs that were noticed since the beginning of the novel and are subject to real actions so that each reader feels identified. Although not only the incest was the striking theme, immoralities and antivalores such as hypocrisy are seen, betrayal that is what I mainly know where in the characters, starting with the Buendía family that were those who were handled by grabbing of a branch full of immorality acts acts acts acts acts acts acts Inhuman. Several questions arose since the incest is the main theme, but there are other factors that are reflected in this way coming to ask. How does culture influence the development of the personalities of the characters presented in the work? In order to consider the end of the actions reflected in the characters.