Federico García Lorca Trilogy

Federico García Lorca trilogy

Introduction

Federico García Lorcala poetry by Spanish author Federico García Lorca is marked by brightness, originality and dramatic style. His works are among the best examples of the poetic drama of the twentieth century. In the twentieth century, Federico García Lorca, Miguel de Unamuno and José Ortega y Gassett are perhaps the best known Spaniards in international circles, Lorca for his poetry and the dramatic circumstances of his death, the other two for his philosophical and political ideas. 

Developing

In Spain, Lorca was a member of the 1927 generation, in large part a group of prominent poets (Jorge Guillén, Pedro Salinas and Rafael Alberti, among others). The generation of Lorca, which followed the famous 1898 generation of Unamuno, dominated the Spanish letters during the decade prior to the Spanish Civil War. The Spanish poet and playwright. His poetry, from Gypsy Ballads to The Poet in New York, was acclaimed internationally. In the theater, his first ballistic farce gave way to tragedies of frustrated femininity, such as the Blood Wedding trilogy, Yerma and The House of Bernarda Alba.

He was killed by nationalist soldiers at the beginning of the Spanish Civil War. Race as a dramaturgod during the 1920s, Lorca dedicated himself to poetry, but in the 1930s he dedicated his energies to drama. Shortly after returning to Spain in 1930, the Second Republic was created, giving way to a period of intense cultural activity.

Lorca himself became one of the directors of La Barraca, an itinerant theater group responsible for the presentation of plays (usually of previous periods) in the provincial cities. At the same time, Lorca developed her own play. While I was in New York, I had written that five years have passed, a surreal piece;In 1930 he had a successful premiere of the prodigious shoemaker, a brilliant work of traditional Andalusian theme. 

Lorca’s first resonant dramatic success was Blood Weddings, released in 1933, a powerful poetic drama in which vital passions pass over the established social conventions. In 1934, his yerma, another poetic drama that explores the frustration of maternal instinct, enjoyed a long career in Madrid. In 1935 he saw the premiere of Doña Rosita la single, a tender work that draws the fading of a young passionate in the sterility of singleness of singleness. Finally in 1936 he wrote Bernarda Alba’s house, a realistic social protest drama, not staged until 1945. From these works, blood weddings, Yerma and Bernarda Alba’s house are still living dramas. Staged especially by university theaters.

conclusion

In the 1930s, Lorca’s poetic production decreased, but distinguished itself by its high quality. His couch of the Tamarit, written around 1931, but not published until 1936, presents the desperate state of loneliness of the poet due to a lost love. His long poem crying by Ignacio Sánchez Mejías (I’m sorry for the death of a bullfighter), carefully orchestrated in four sections, describes the dead bullfighter in the ring as a modern existential hero. His last poems, sonnets of dark love, were published only partially, due to their manifest homosexual theme. In 1936, at the beginning of the Spanish Civil War, Lorca went home in Granada. He was arrested by the nationalist forces that controlled the city, perhaps due to their personal connections, perhaps due to its well -known sympathies for the Republican cause. In the terrible reigning confusion, even his Falange friends could not save him, and shot him on the morning of August 19, 1936. The complete circumstances that surrounded their death remain a mystery.